In yet another engagement, she will look for a distinct sound ideal for Bartok and Shostakovich.Р”Р„ll of these sound requirements can only come with a good piano tuner. She will also need a special unique sound for her Brahms. She may demand another piano good for Rachmaninoff and Tchaikovsky. In one concert, she looks for a sound perfect for her Chopin and Schumann. In the case of Licad, she asks for many shades and nuances of sounds from her piano. With good pianists, the demand for good pianos - and good piano tuners - was understandable. Like Villanueva, Licad also studied at Curtis and became the schoolРІР‚в„ўs star pupil - like ChinaРІР‚в„ўs Lang Lang after her. Moreover, the piano odyssey of pianist Cecile Licad is far more definitive and spectacular than the rest of her colleagues young and old. When he passed away, his nephew, Michael Jacela took over and serviced pianos owned by music teachers. The piano tuner of Rowena Arrieta, the first Filipino Tchaikovsky Laureate in Moscow, during her Baguio City concert was Jun Jacela. Surely, all these excellent pianists cannot do without a good piano tuner. In her league is a sterling generation of pianists that include Benjamin Tupaz, Jose Contreras, Reynaldo Reyes, Ernesto Lejano and Maria Luisa Vito, among others.

Nena del Rosario Villanueva is considered the countryРІР‚в„ўs first piano prodigy who studied at Curtis Institute of Music in Philadelphia. Referred to as РІР‚Сљthe Milan of the Orient,РІР‚Сњ Manila had its share of singers who were educated in Italy and an equally good share of pianists who made a career here and abroad. Pablo Tariman supervising piano tuning in his past Ayala Museum concert.

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